This year in Ann Arbor and New England, I started the year in Michigan and ended it back in the northeast. In January, I got my Covid booster, biked the Border to Border trail to see the geese and ducks (and a pair of hooded mergansers) wintering on the Huron River, made a belated gingerbread dinosaur nativity scene, celebrated National Peanut Butter Day with my daily lunch PBJ, and hemmed some pants. I also watched Addams Family Values and took a second stab at the Discworld with the Ankh-Morpock City Watch in Guards! Guards!. Perhaps most importantly, I submitted my thesis, had it accepted, and received official permission to graduate.
February began with a balmy 40 F day that once again saw me on the B2B. After spending five and a half years running simulations of surfactants, I finally put some surfactant solutions on the rheometer and produced some of my own experimental data. The Winter Olympics were held, and the New England Revolution kicked off their season with a semi-promising 2-2 tie in Portland. Other activities included baking banana pecan chocolate chip muffins, finishing a cross stitch project, starting the X-Wing books, and observing Twosday (22:22:22 on 2/22/22, which was a Tuesday).
Snow soccer happened not once, but twice for the Revolution in March. It was a rough season from then on. I baked rocky road cookies and cranberry orange muffins, and attended (what I referred to as) ChE’s State of the Department Address to hear about what was going on in the department. Our research group celebrated a defense by going out for lab lunch, and a few of us took a day trip one weekend for dim sum, cake, and stops at a couple parks.
I continued wrapping things up in Ann Arbor in April, starting the month off with a couple labmates at the house of another friend from a different lab for cocktails, snacks, and dessert. On the research front, I resubmitted my second manuscript a couple weeks later. Otherwise, it was more or less business as usual with group meeting, filing taxes, hiking my standard trails in search of birds and spring wildflowers, watching the Revolution ping pong between winning and losing, and baking double chocolate cookies and peanut butter cookies.
May was a busy month, my last in Ann Arbor. Before leaving, I made sure to meet up with a couple friends I hadn’t gotten to see much because of the pandemic, once spending an evening at Pinball Pete’s playing pinball and other games, then drinking a pitcher of sangria down the street. The lab had a cookout/potluck at our advisor’s house since a few of us were leaving Ann Arbor around the same time, and I invited the lab and a couple ChemE friends for one final happy hour at our favorite North Campus bar (it’s the only bar on North Campus). And then as the month came to an end, my parents arrived in Ann Arbor to collect me and all my things. Before cramming my belongings into the car, we drove to Sleeping Bear Dunes for a family vacation with my brother and his girlfriend. We spent a couple days hiking around the dunes, then returned to Ann Arbor. In my final days in Ann Arbor, we paid quick visits to the art and natural history museums while I also returned keys and spent an MDen gift card, and attended church so I could say my farewells. On the way back home, we stopped by Cuyahoga Valley National Park, and then I arrived back in New England.
Upon my return to the land of Wegmans, throughout June I unpacked some of my things and packed other things that had been sitting in my room for the past decade. I attended the last of our lab’s four dissertation defenses in the span of six months from home. After finishing the very, very good Star Trek: Deep Space Nine the month before, I began working my way through my next medical drama, Scrubs, and started a cross stitch birth announcement for nobody in particular.
I spent July working on a final (supposedly quick) manuscript while also doing jigsaw puzzles, watching the Revolution stumble their way through the hot, long middle of the season, and reading for my local library’s summer reading bingo. We went hiking a few times, once at a nearby state park, and another time at a nature preserve in town that was also holding an outdoor art exhibit.
August included more reading, more puzzles, and more Revolution-induced high blood pressure. We painted most of the deck. I tried baking focaccia for the first time. We borrowed a telescope from the library and spent a couple weeks observing the moon as it went through its phases. At long last, the lab started getting its code in order and put up all its open source code on a lab Github.
In September, when the weather went from hot and humid to nice for a few weeks, we hiked at Minute Man National Historic Park and the Parker River Wildlife Refuge and went apple picking (we got honeycrisp, gala, smitten, empire, and fuji, plus apple cider donuts). At the end of the month, I took a business trip to see collaborators in Cincinnati and visited the Cincinnati Zoo and art museum.
The yearly raking commenced in October, but before the leaves all fell, we took a few local hikes to enjoy the fall colors and weather. I finished my Singapore cross stitch, baked a Boston cream pie and a Swiss roll, and helped dig a hole so the septic tank could get accessed.
For the first time, I participated in NaNoWriMo in November and won, writing 50,072 words in thirty days. MLS cup was exciting, as was the USMNT making it out of the group stage at the World Cup. I baked pumpkin things and tried a recipe for ginger cookies (good, but could have used even more ginger), and we celebrated fake Thanksgiving a couple weeks early with stuffing, cranberry sauce, and some other Thanksgiving-ish foods.
To close out the year, in December I watched the USMNT get knocked out of the World Cup, then picked up watching again in the quarterfinals, leading to an absolutely crazy World Cup final that saw Argentina and France trade goals in regular time, then overtime, and go to penalty kicks to give Messi a World Cup. I finally started a dragon cross stitch for a friend, read The Sandman, watched pretty bad Christmas movies, and ended the year with roast lamb and wine.
Saturday, January 21, 2023
Friday, January 20, 2023
Top Ten Movies/TV of 2022
As with the past few years, I haven’t been watching too many movies, but I saw a few good ones, and also watched quite a bit of TV thanks to Netflix and a free trial of Amazon Prime. Again, not in any particular order besides movies at the top, TV at the bottom, here are 10 good things I watched last year.
1. Addams Family Values – Avoiding the problem that many sequels have, where the production team goes weirder, wackier, and worse than the original, Addams Family Values is just as good as The Addams Family. When Wednesday suspects her new baby brother Pubert’s nanny Debbie of nefarious schemes, Debbie gets Morticia and Gomez to ship Wednesday and Pugsley off to summer camp. Shenanigans ensue.
2. Star Trek: First Contact – This is the second Next Generation (TNG) movie. I liked the first one too, but it does feel more like an extended TV episode than a movie. In First Contact, Picard and crew must travel back in time to make sure the Borg don’t stop Zefram Cochran from testing the warp core that leads to humanity’s first contact with aliens. Though the movie isn’t super amazing, I enjoyed seeing the TNG cast again.
3. Turning Red – Teenage girls in early 2000s Toronto, one of whom starts turning into a giant red panda when she experiences strong emotions thanks to a family curse? Why not?
Also watched: In the Heights – enjoyed the songs, costumes, and cinematography; Dune (1984) – has surprise Patrick Stewart and a very bizarre ending; Dune (2021) – feels more like the book, but I don’t think Hans Zimmer was the right choice for the soundtrack; Greyhound – more interesting than it sounds; Hocus Pocus – fun and a bit ridiculous; and Beetlejuice – weird and quite ridiculous, but I liked it. And a bunch of Christmas movies that ranged from not very good to bad.
4. Star Trek: Deep Space Nine (seasons 3-7) – Out of all the Star Trek I’ve watched so far, the plot and character development in DS9 are the best, though TNG has my favorite cast and I think most fully realizes what the original series was trying to do. This was the best show I watched in 2022.
5. The Great British Bake Off (seasons 12-13) – The producers’ need for drama and excitement has been hurting the show for the past couple seasons in particular, and I think it came out in a big way in the finale of the latest season. But it’s still Bake Off, so I still liked it.
6. Ted Lasso (seasons 1-2) – My first impression of this show wasn’t great because the two big questions it starts with are “who would be so arrogant that they’d agree to coach a Premier League team without knowing the rules of soccer/football?” and “who would be dumb enough to hire an American football coach to lead an English football club in the most prominent league in the world?” It’s reminiscent of the attitude that American football is the real football, despite very little contact between feet and balls, and that soccer is boring, despite American professional football being comprised of 1 hour of play and 2 hours of ads. However, the second question is resolved by the end of the first episode and the first more gradually as the show goes on. As a soccer fan, I ended up really enjoying the show, and there’s some surprisingly good acting depth that you don’t always get from comedies.
7. Scrubs (seasons 1-9) – Not all of the show has aged super well, and the soft reboot in the last season doesn’t quite work, but there’s enough to make it worth watching. Apparently it’s also one of the more accurate medical dramas.
8. The Legend of Vox Machina (season 1) – D&D livestream turned TV show. I haven’t watched the episodes the show’s based on, so I don’t know how well it’s adapted, but I enjoyed it.
9. Grey’s Anatomy (season 18) – Along with enough viewers to make this long-running endeavor profitable, I’ve been Stockholm-syndromed into seeing this show out to its end (but seriously, please end it). I still like it, but I also recognize it’s ridiculous and needs to end (I’m not kidding; end this show).
10. Blown Away (seasons 1-3) – A glassblowing version of GBBO, except they’re absolutely not amateurs (and mostly not British). Worth a watch to see the glassblowers’ creations for each challenge.
And some one-line reviews: The Magic School Bus Rides Again – not as good as the original; Carmen Sandiego – great characters, good geography, egregiously bad science on several occasions; Seinfeld (seasons 1-2) – didn’t find the show very funny and couldn’t get into it; Psych (seasons 1-4) – fun show, though Shawn can get annoying; Heartland (season 14) – just catching up on the latest season, not sure about some of the changes they made; The IT Crowd – mixed feelings – some parts are quite funny, and others are quite sexist; Star Trek: Lower Decks (season 1) – liked it, didn’t love it; The Sandman – solid adaptation of the comic, with the sense of wonder that I wanted Dune to have; The Rings of Power – very briefly: looked great, mostly liked the characters, plot was all over the place; Chicago Med (seasons 1-5) – solid addition to the medical drama genre; Severance – well-made show, just didn’t really fall in love with the characters; School of Chocolate – the chocolate creations were amazing, but the editing made some of the contestants come off as not being very nice; Somebody Feed Phil (seasons 1-3) – travel and food is usually a good combination; and Jane the Virgin (seasons 1-3) – after five and a half years of Spanish classes, I can appreciate a good telenovela1.
1Added bonus: spotting actors from all the medical dramas I’ve watched. So far I’ve seen Nicholas Gonzalez (The Good Doctor), Judy Reyes (Scrubs), Rachel DiPillo (Chicago Med), and Debbie Allen (Grey’s Anatomy).
1. Addams Family Values – Avoiding the problem that many sequels have, where the production team goes weirder, wackier, and worse than the original, Addams Family Values is just as good as The Addams Family. When Wednesday suspects her new baby brother Pubert’s nanny Debbie of nefarious schemes, Debbie gets Morticia and Gomez to ship Wednesday and Pugsley off to summer camp. Shenanigans ensue.
2. Star Trek: First Contact – This is the second Next Generation (TNG) movie. I liked the first one too, but it does feel more like an extended TV episode than a movie. In First Contact, Picard and crew must travel back in time to make sure the Borg don’t stop Zefram Cochran from testing the warp core that leads to humanity’s first contact with aliens. Though the movie isn’t super amazing, I enjoyed seeing the TNG cast again.
3. Turning Red – Teenage girls in early 2000s Toronto, one of whom starts turning into a giant red panda when she experiences strong emotions thanks to a family curse? Why not?
Also watched: In the Heights – enjoyed the songs, costumes, and cinematography; Dune (1984) – has surprise Patrick Stewart and a very bizarre ending; Dune (2021) – feels more like the book, but I don’t think Hans Zimmer was the right choice for the soundtrack; Greyhound – more interesting than it sounds; Hocus Pocus – fun and a bit ridiculous; and Beetlejuice – weird and quite ridiculous, but I liked it. And a bunch of Christmas movies that ranged from not very good to bad.
4. Star Trek: Deep Space Nine (seasons 3-7) – Out of all the Star Trek I’ve watched so far, the plot and character development in DS9 are the best, though TNG has my favorite cast and I think most fully realizes what the original series was trying to do. This was the best show I watched in 2022.
5. The Great British Bake Off (seasons 12-13) – The producers’ need for drama and excitement has been hurting the show for the past couple seasons in particular, and I think it came out in a big way in the finale of the latest season. But it’s still Bake Off, so I still liked it.
6. Ted Lasso (seasons 1-2) – My first impression of this show wasn’t great because the two big questions it starts with are “who would be so arrogant that they’d agree to coach a Premier League team without knowing the rules of soccer/football?” and “who would be dumb enough to hire an American football coach to lead an English football club in the most prominent league in the world?” It’s reminiscent of the attitude that American football is the real football, despite very little contact between feet and balls, and that soccer is boring, despite American professional football being comprised of 1 hour of play and 2 hours of ads. However, the second question is resolved by the end of the first episode and the first more gradually as the show goes on. As a soccer fan, I ended up really enjoying the show, and there’s some surprisingly good acting depth that you don’t always get from comedies.
7. Scrubs (seasons 1-9) – Not all of the show has aged super well, and the soft reboot in the last season doesn’t quite work, but there’s enough to make it worth watching. Apparently it’s also one of the more accurate medical dramas.
8. The Legend of Vox Machina (season 1) – D&D livestream turned TV show. I haven’t watched the episodes the show’s based on, so I don’t know how well it’s adapted, but I enjoyed it.
9. Grey’s Anatomy (season 18) – Along with enough viewers to make this long-running endeavor profitable, I’ve been Stockholm-syndromed into seeing this show out to its end (but seriously, please end it). I still like it, but I also recognize it’s ridiculous and needs to end (I’m not kidding; end this show).
10. Blown Away (seasons 1-3) – A glassblowing version of GBBO, except they’re absolutely not amateurs (and mostly not British). Worth a watch to see the glassblowers’ creations for each challenge.
And some one-line reviews: The Magic School Bus Rides Again – not as good as the original; Carmen Sandiego – great characters, good geography, egregiously bad science on several occasions; Seinfeld (seasons 1-2) – didn’t find the show very funny and couldn’t get into it; Psych (seasons 1-4) – fun show, though Shawn can get annoying; Heartland (season 14) – just catching up on the latest season, not sure about some of the changes they made; The IT Crowd – mixed feelings – some parts are quite funny, and others are quite sexist; Star Trek: Lower Decks (season 1) – liked it, didn’t love it; The Sandman – solid adaptation of the comic, with the sense of wonder that I wanted Dune to have; The Rings of Power – very briefly: looked great, mostly liked the characters, plot was all over the place; Chicago Med (seasons 1-5) – solid addition to the medical drama genre; Severance – well-made show, just didn’t really fall in love with the characters; School of Chocolate – the chocolate creations were amazing, but the editing made some of the contestants come off as not being very nice; Somebody Feed Phil (seasons 1-3) – travel and food is usually a good combination; and Jane the Virgin (seasons 1-3) – after five and a half years of Spanish classes, I can appreciate a good telenovela1.
1Added bonus: spotting actors from all the medical dramas I’ve watched. So far I’ve seen Nicholas Gonzalez (The Good Doctor), Judy Reyes (Scrubs), Rachel DiPillo (Chicago Med), and Debbie Allen (Grey’s Anatomy).
Friday, January 13, 2023
Top Ten Books of 2022
In total, I read 47 new books in 2022, plus a few rereads, making it my biggest reading year in a few years. There were some disappointments, but I didn’t completely hate anything I read, though I came close once (see the dishonorable mention at the bottom). In no particular order, here are ten of the best standalone books or series I read last year. I do normally read a greater diversity of authors/genres, but the year’s reading was definitely skewed by over a third of my books coming from the Star Wars and Star Trek universes and a combination of Terry Pratchett/Neil Gaiman.
1. The Camera, Ansel Adams – An explanation of the mechanics behind how (film) cameras physically operate, which was interesting and enlightening, and still relevant for digital photography.
2. Star Wars: X-Wing (1-4), Michael Stackpole – The first four X-Wing books (Rogue Squadron, Wedge’s Gamble, The Krytos Trap, and The Bacta War) form a complete story arc about Wedge Antilles leading Rogue Squadron after the events of the original Star Wars trilogy. Although the Death Star(s) have been destroyed, the Empire still controls large parts of the galaxy so the Rebel Alliance, now the New Republic, continues to have work to do. X-Wing is often recommended as a good place to start in Star Wars literature, and I agree, because it’s well written, with a coherent and compelling plot and a strong cast of characters.
3. Guards! Guards! (City Watch books), Terry Pratchett – Years ago, I tried a couple of Discworld books but didn’t really get into them. This time, I started with Small Gods, a standalone novel, then moved to the City Watch books that feature Sam Vimes and the Ankh-Morpork City Watch in their quest to fight crime in their fair city. The City Watch books are urban fantasy police procedurals with a strange cast of characters ranging from trolls and dwarves to gargoyles and golems. So far, I’ve read Guards! Guards!, Men at Arms, Feet of Clay, and Jingo, and enjoyed them all.
4. The Sandman (vols. 1-3), Neil Gaiman – Decided to pick up the comics after watching the well-received Netflix adaptation. It’s on the darker side of what I normally read, but the plot and characters are really good, and deeper than you might expect. Hard to summarize without giving away plot points, so I’ll just say it’s about Morpheus, Lord of the Dreaming (aka the Sandman), and his interactions with humans, gods, and other creatures.
5. Wuthering Heights, Emily Bronte – All the characters are terrible, and it’s (technically?) a love story, so naturally I thought it was great.
Some other enjoyable reads: Sense and Sensibility (Jane Austen); The Odyssey (Homer, Fagles translation) – I’ve read a prose version (The Adventures of Ulysses by Bernard Evslin) and didn’t realize how much of The Odyssey isn’t about Odysseus’s odyssey; The House in the Cerulean Sea (T. J. Klune); Jurassic Park (Michael Critchton) – not markedly better or worse than the movie, which I’d say is a pretty good adaptation; Project Hail Mary (Andy Weir) – very entertaining, if a little farfetched sometimes, and I didn’t love the main human character (Rocky was great). Also, Weir doesn’t write dialog particularly well. Inner dialog is fine, but anything two people would actually say, out loud, to each other, not so much; Federation (Star Trek) (Judith and Garth Reeves-Stevens); Women of the Silk (Gail Tsukiyama); Starship Troopers (Robert Heinlein)
Books I wanted to like more than I did: How to Live Safely in a Science Fictional Universe (Charles Yu); The Midnight Library (Matt Haig); Parable of the Sower (Octavia Butler)
Dishonorable mention: Ready Player Two (Ernest Cline). Ready Player One barely held together with its riddle contest plot, so Ready Player Two was not set up for success with an unlikable narrator, various inappropriate actions performed by said narrator, Wikipedia info dumps every other page, and a worse riddle contest plot. Also, the riddles weren’t riddles. I expected it to be bad before I started, and it still managed to be an even greater disappointment.
1. The Camera, Ansel Adams – An explanation of the mechanics behind how (film) cameras physically operate, which was interesting and enlightening, and still relevant for digital photography.
2. Star Wars: X-Wing (1-4), Michael Stackpole – The first four X-Wing books (Rogue Squadron, Wedge’s Gamble, The Krytos Trap, and The Bacta War) form a complete story arc about Wedge Antilles leading Rogue Squadron after the events of the original Star Wars trilogy. Although the Death Star(s) have been destroyed, the Empire still controls large parts of the galaxy so the Rebel Alliance, now the New Republic, continues to have work to do. X-Wing is often recommended as a good place to start in Star Wars literature, and I agree, because it’s well written, with a coherent and compelling plot and a strong cast of characters.
3. Guards! Guards! (City Watch books), Terry Pratchett – Years ago, I tried a couple of Discworld books but didn’t really get into them. This time, I started with Small Gods, a standalone novel, then moved to the City Watch books that feature Sam Vimes and the Ankh-Morpork City Watch in their quest to fight crime in their fair city. The City Watch books are urban fantasy police procedurals with a strange cast of characters ranging from trolls and dwarves to gargoyles and golems. So far, I’ve read Guards! Guards!, Men at Arms, Feet of Clay, and Jingo, and enjoyed them all.
4. The Sandman (vols. 1-3), Neil Gaiman – Decided to pick up the comics after watching the well-received Netflix adaptation. It’s on the darker side of what I normally read, but the plot and characters are really good, and deeper than you might expect. Hard to summarize without giving away plot points, so I’ll just say it’s about Morpheus, Lord of the Dreaming (aka the Sandman), and his interactions with humans, gods, and other creatures.
5. Wuthering Heights, Emily Bronte – All the characters are terrible, and it’s (technically?) a love story, so naturally I thought it was great.
6. Dracula, Bram Stoker – Liked how the plot unfolded and the different viewpoints and styles of storytelling. It gets weird at times.
7. The Three-Body Problem, Liu Cixin (English translation by Ken Liu) – The first Asian novel to win the Hugo Award for Best Novel. This one also gets weird, but it’s aliens this time, not vampires. When scientist Wang Miao starts playing a virtual reality video game called Three Body, he gets caught up in extraterrestrial events started years earlier by Ye Wenjie during the Cultural Revolution.
8. The Autobiography of Jean-Luc Picard, David A. Goodman – Mostly I got a kick out of reading about Captain Picard’s life and seeing how the book lined up with what’s revealed about him in Star Trek: The Next Generation.
9. Game of Thrones, George R. R. Martin – I finally made it through the first book in A Song of Ice and Fire. Solid epic fantasy, and there are already tons of characters and plot threads, but so far it seems manageable, with not too many signs of the corner Martin will later write himself into.
10. Good Omens, Terry Pratchett and Neil Gaiman – Something has gone wrong with Armageddon, and demon Crowley must work with angel Aziraphale (don’t worry, they’re friends) to fix things. I think it’s funny. I originally tried to listen to the audiobook, but missed a lot and later went back and read it.
7. The Three-Body Problem, Liu Cixin (English translation by Ken Liu) – The first Asian novel to win the Hugo Award for Best Novel. This one also gets weird, but it’s aliens this time, not vampires. When scientist Wang Miao starts playing a virtual reality video game called Three Body, he gets caught up in extraterrestrial events started years earlier by Ye Wenjie during the Cultural Revolution.
8. The Autobiography of Jean-Luc Picard, David A. Goodman – Mostly I got a kick out of reading about Captain Picard’s life and seeing how the book lined up with what’s revealed about him in Star Trek: The Next Generation.
9. Game of Thrones, George R. R. Martin – I finally made it through the first book in A Song of Ice and Fire. Solid epic fantasy, and there are already tons of characters and plot threads, but so far it seems manageable, with not too many signs of the corner Martin will later write himself into.
10. Good Omens, Terry Pratchett and Neil Gaiman – Something has gone wrong with Armageddon, and demon Crowley must work with angel Aziraphale (don’t worry, they’re friends) to fix things. I think it’s funny. I originally tried to listen to the audiobook, but missed a lot and later went back and read it.
Some other enjoyable reads: Sense and Sensibility (Jane Austen); The Odyssey (Homer, Fagles translation) – I’ve read a prose version (The Adventures of Ulysses by Bernard Evslin) and didn’t realize how much of The Odyssey isn’t about Odysseus’s odyssey; The House in the Cerulean Sea (T. J. Klune); Jurassic Park (Michael Critchton) – not markedly better or worse than the movie, which I’d say is a pretty good adaptation; Project Hail Mary (Andy Weir) – very entertaining, if a little farfetched sometimes, and I didn’t love the main human character (Rocky was great). Also, Weir doesn’t write dialog particularly well. Inner dialog is fine, but anything two people would actually say, out loud, to each other, not so much; Federation (Star Trek) (Judith and Garth Reeves-Stevens); Women of the Silk (Gail Tsukiyama); Starship Troopers (Robert Heinlein)
Books I wanted to like more than I did: How to Live Safely in a Science Fictional Universe (Charles Yu); The Midnight Library (Matt Haig); Parable of the Sower (Octavia Butler)
Dishonorable mention: Ready Player Two (Ernest Cline). Ready Player One barely held together with its riddle contest plot, so Ready Player Two was not set up for success with an unlikable narrator, various inappropriate actions performed by said narrator, Wikipedia info dumps every other page, and a worse riddle contest plot. Also, the riddles weren’t riddles. I expected it to be bad before I started, and it still managed to be an even greater disappointment.
Saturday, December 24, 2022
Midnight at the Magnolia
Once again, I watched a cheesy holiday movie so you don’t have to (unless you want to). We close out the week with Midnight at the Magnolia (2020), chosen to represent all the movies that fall into the “two people fake dating fall in love” category. Do I even really need to make official predictions for this one? We all know how this is going to end.
[Spoilers starting here.]
Best friends Maggie Quinn (Natalie Hall) and Jack Russo (Evan Williams) host Windy City Wakeup, a local morning radio show in Chicago. They’ve gotten the attention of big radio guy Judd Crawford (Peter Michael Dillon) who might syndicate them nationally if he likes them enough, and are currently doing a weeklong trial for Judd in the week between Christmas and New Year’s. To really make an impression on radio guy, Maggie and Jack come up with the idea to introduce the people they’re dating to their families while on air. Only problem is, they’ve both just been broken up with, so the solution they come up with is to pretend to date each other and reveal it at a livestreamed party at the Magnolia, a jazz bar that their dads own and run together.
Yeah, we all know they’re actually in love with each other. Sometime during their fake dating charade, it will cease to be an act and they’ll realize they’re more than friends. However, before they can truly be together, they need to have a big fight about something, possibly involving the words “there’s no time to explain.” One of them will then have to make a grand gesture declaring their love, proving once and for all that they’re meant to be together, and then they’ll be able to be a couple.
With some additional details, that’s how things play out. As they prepare the Magnolia for the New Year’s party, Jack and Maggie both come to the realization that maybe they kind of might like each other in a romantic sort of way. But to complicate matters, Jack’s old high school girlfriend Bianca makes an appearance, causing Jack to be late for a planned dinner/movie night with Maggie. This unearths all sorts of high school grievances, and Maggie refuses to listen to anything Jack has to say. They show up to the livestream the next day without having talked. Things go badly until Jack gets over his fear of commitment and publicly declares his love for Maggie, even singing her a song he wrote. Maggie returns Jack’s feelings, and they kiss at the stroke of midnight. One year later, Jack proposes to Maggie at their favorite sledding hill, and it’s happily ever after for our lovers.
Although I knew exactly how the movie would go, I actually found Midnight at the Magnolia more palatable than the majority of the other Christmas movies I watched. I think it’s because, yes, it’s cheesy and predictable, but it’s cheesy in the same way that dad jokes are cheesy, not cheesy in a “trying too hard to be inspirational” way. Natalie Hall and Evan Williams work pretty well together, and their characters being longtime best friends also gives their relationship some basis. They’ve known each other for more than a week and have spent lots of time together, so it’s not a true love in three days situation. [And now I want someone to make a movie about what happens after all these romcoms end, when the city girl returning to her small town hometown is now unemployed because she’s just quit her job for a guy, and they both realize they know almost nothing about each other.]
My final rankings for this year’s movies: A Castle for Christmas and Midnight at the Magnolia tie for least offensive, Falling for Christmas edges out The Knight Before Christmas solely because of Ralph dragging Tad through the Colorado wilderness, and Christmas with a Prince wins this year’s title of worst Christmas movie for being both not very good and filled with questionable medical practices. That’s it for this year; maybe I’ll be back next year with another batch of (in my opinion) bad holiday movies.
[Spoilers starting here.]
Best friends Maggie Quinn (Natalie Hall) and Jack Russo (Evan Williams) host Windy City Wakeup, a local morning radio show in Chicago. They’ve gotten the attention of big radio guy Judd Crawford (Peter Michael Dillon) who might syndicate them nationally if he likes them enough, and are currently doing a weeklong trial for Judd in the week between Christmas and New Year’s. To really make an impression on radio guy, Maggie and Jack come up with the idea to introduce the people they’re dating to their families while on air. Only problem is, they’ve both just been broken up with, so the solution they come up with is to pretend to date each other and reveal it at a livestreamed party at the Magnolia, a jazz bar that their dads own and run together.
Yeah, we all know they’re actually in love with each other. Sometime during their fake dating charade, it will cease to be an act and they’ll realize they’re more than friends. However, before they can truly be together, they need to have a big fight about something, possibly involving the words “there’s no time to explain.” One of them will then have to make a grand gesture declaring their love, proving once and for all that they’re meant to be together, and then they’ll be able to be a couple.
With some additional details, that’s how things play out. As they prepare the Magnolia for the New Year’s party, Jack and Maggie both come to the realization that maybe they kind of might like each other in a romantic sort of way. But to complicate matters, Jack’s old high school girlfriend Bianca makes an appearance, causing Jack to be late for a planned dinner/movie night with Maggie. This unearths all sorts of high school grievances, and Maggie refuses to listen to anything Jack has to say. They show up to the livestream the next day without having talked. Things go badly until Jack gets over his fear of commitment and publicly declares his love for Maggie, even singing her a song he wrote. Maggie returns Jack’s feelings, and they kiss at the stroke of midnight. One year later, Jack proposes to Maggie at their favorite sledding hill, and it’s happily ever after for our lovers.
Although I knew exactly how the movie would go, I actually found Midnight at the Magnolia more palatable than the majority of the other Christmas movies I watched. I think it’s because, yes, it’s cheesy and predictable, but it’s cheesy in the same way that dad jokes are cheesy, not cheesy in a “trying too hard to be inspirational” way. Natalie Hall and Evan Williams work pretty well together, and their characters being longtime best friends also gives their relationship some basis. They’ve known each other for more than a week and have spent lots of time together, so it’s not a true love in three days situation. [And now I want someone to make a movie about what happens after all these romcoms end, when the city girl returning to her small town hometown is now unemployed because she’s just quit her job for a guy, and they both realize they know almost nothing about each other.]
My final rankings for this year’s movies: A Castle for Christmas and Midnight at the Magnolia tie for least offensive, Falling for Christmas edges out The Knight Before Christmas solely because of Ralph dragging Tad through the Colorado wilderness, and Christmas with a Prince wins this year’s title of worst Christmas movie for being both not very good and filled with questionable medical practices. That’s it for this year; maybe I’ll be back next year with another batch of (in my opinion) bad holiday movies.
Friday, December 23, 2022
Christmas with a Prince
As it turns out, there are so many of these festive romcoms with “Christmas” and “prince” in the title that it took me three tries to find the right one when I was googling the movie to make sure I had the name right. Christmas with a Prince was released in 2018 as a TV movie. I decided to try this movie because Netflix’s blurb said it was about a pediatrician, and I’m working my way through all the medical dramas I can find. However, I forgot that children in a hospital in a holiday movie can only be used for one purpose: Inspiration1, with a capital I. On that note, let’s go ahead and jump into this stirring and romantic story.
1Inspirational children say things like “It’s okay that I’m not getting any presents this year; the most important thing is that we’re all together as a family” while smiling beatifically. They also joyfully give away their toys and warm winter clothing to children even more disadvantaged than them.
[Spoilers from here on.]
Our cast of characters includes Dr. Tasha (Kaitlyn Leeb), a pediatrician in charge of a children’s cancer ward; her brother Jeff (Josh Dean), a nurse in her department; and Prince Alexander (Nick Hounslow), a prince. When Prince Alexander breaks his leg in a skiing accident, he needs somewhere to recover out of the public eye. Fortunately, his old school friend Jeff works at a conveniently located hospital and arranges to hide the prince in Tasha’s pediatric ward, where no one will be looking for him. Jeff and Tasha convince the Very Mean chief of medicine to let the prince stay at their hospital by telling her there will be a substantial donation made to the hospital. This all happened in the first ten minutes, and I decided it was enough for me to predict the rest of the movie.
From here, Tasha and Alexander will (obviously) fall in love, brought together by the darling children under Tasha’s care. Alexander, who starts out as a self-absorbed prince, will win over Tasha’s heart by bonding with the kids. He’ll be drawn to her by the care and concern she shows her patients. Except that after they realize that they like each other, the prince finds out that he’s allegedly promised to give a lot of money to the hospital, and he’s done no such thing. He accuses Tasha of pretending to like him only to get his money. She denies it, but it’s too late; he leaves the hospital and returns to his royal friends and family. Tasha confronts Jeff, who admits that he made up the money thing just to get the chief of medicine to agree to let Alexander stay. Now Tasha has to go after the prince, explain everything, and make a public declaration of her love, which Alexander accepts, and they skip off into his castle together (because there has to be a castle somewhere in a Hallmark-esque Christmas movie, doesn’t there?).
In actuality, there’s arguably even less that happens in the movie than in my prediction. Alexander, of course, is a favorite of the delightfully precocious children under Tasha’s care, playing with them and getting to know them during his stay at the hospital. Tasha, it turns out, had a crush on the prince when they were at school together, and now that she sees he’s not completely self-centered, finds herself liking him again. When Alexander heals enough to leave the hospital, he asks if Tasha will join him at a fancy Christmas party. She agrees, but just then a woman shows up claiming to be Alexander’s fiancée. He explains she’s not, and they go to the event, where this woman bizarrely tries to handwave the fiancé thing away, then five minutes later insults Tasha, telling her she’s not worthy of a prince. Alexander won’t hear of this, and Tasha even manages to win over his father, so good for her, and they can go ahead and live happily ever after.
If you can believe it, these movies keep getting worse. On top of the usual suspects (predictable plot, corny dialog, subpar acting), I have so many questions about Tasha’s hospital. The children are sick enough to spend days and weeks inpatient, but have no medical equipment in their rooms. The entire pediatric cancer ward appears to have about two nurses and one doctor. Tasha is a pediatrician; shouldn’t there at the very least be an oncologist somewhere around? Why does the prince need to stay at the hospital for a broken leg? And where on earth are all the children’s parents? Why are these supposedly extremely sick children running around unsupervised? So many questions, and no answers.
1Inspirational children say things like “It’s okay that I’m not getting any presents this year; the most important thing is that we’re all together as a family” while smiling beatifically. They also joyfully give away their toys and warm winter clothing to children even more disadvantaged than them.
[Spoilers from here on.]
Our cast of characters includes Dr. Tasha (Kaitlyn Leeb), a pediatrician in charge of a children’s cancer ward; her brother Jeff (Josh Dean), a nurse in her department; and Prince Alexander (Nick Hounslow), a prince. When Prince Alexander breaks his leg in a skiing accident, he needs somewhere to recover out of the public eye. Fortunately, his old school friend Jeff works at a conveniently located hospital and arranges to hide the prince in Tasha’s pediatric ward, where no one will be looking for him. Jeff and Tasha convince the Very Mean chief of medicine to let the prince stay at their hospital by telling her there will be a substantial donation made to the hospital. This all happened in the first ten minutes, and I decided it was enough for me to predict the rest of the movie.
From here, Tasha and Alexander will (obviously) fall in love, brought together by the darling children under Tasha’s care. Alexander, who starts out as a self-absorbed prince, will win over Tasha’s heart by bonding with the kids. He’ll be drawn to her by the care and concern she shows her patients. Except that after they realize that they like each other, the prince finds out that he’s allegedly promised to give a lot of money to the hospital, and he’s done no such thing. He accuses Tasha of pretending to like him only to get his money. She denies it, but it’s too late; he leaves the hospital and returns to his royal friends and family. Tasha confronts Jeff, who admits that he made up the money thing just to get the chief of medicine to agree to let Alexander stay. Now Tasha has to go after the prince, explain everything, and make a public declaration of her love, which Alexander accepts, and they skip off into his castle together (because there has to be a castle somewhere in a Hallmark-esque Christmas movie, doesn’t there?).
In actuality, there’s arguably even less that happens in the movie than in my prediction. Alexander, of course, is a favorite of the delightfully precocious children under Tasha’s care, playing with them and getting to know them during his stay at the hospital. Tasha, it turns out, had a crush on the prince when they were at school together, and now that she sees he’s not completely self-centered, finds herself liking him again. When Alexander heals enough to leave the hospital, he asks if Tasha will join him at a fancy Christmas party. She agrees, but just then a woman shows up claiming to be Alexander’s fiancée. He explains she’s not, and they go to the event, where this woman bizarrely tries to handwave the fiancé thing away, then five minutes later insults Tasha, telling her she’s not worthy of a prince. Alexander won’t hear of this, and Tasha even manages to win over his father, so good for her, and they can go ahead and live happily ever after.
If you can believe it, these movies keep getting worse. On top of the usual suspects (predictable plot, corny dialog, subpar acting), I have so many questions about Tasha’s hospital. The children are sick enough to spend days and weeks inpatient, but have no medical equipment in their rooms. The entire pediatric cancer ward appears to have about two nurses and one doctor. Tasha is a pediatrician; shouldn’t there at the very least be an oncologist somewhere around? Why does the prince need to stay at the hospital for a broken leg? And where on earth are all the children’s parents? Why are these supposedly extremely sick children running around unsupervised? So many questions, and no answers.
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